课时同步（重大版）高一下英语必修3综合评测3

短语翻译
for sb.’s sake            
break sb. down            
take sb. away to            
对……不感兴趣；满不在乎            
连接；联络            

完成句子
It’s no use trying to    him    .
想要拖住他是没用的。
Her health          down under the pressure  of work.
她因工作压力，身体垮掉了。
If that happens，the coach will                      it.
如果发生那样的事，教练将对此负责。
The bad news          all her pleasure.
这条坏消息将她的快乐一扫而光。
She      absolutely            him, and it  hurt him.
她对他冷淡极了，这令他伤心。

In my opinion, life in the twenty-first century is much easier than    .

I hate    when people talk with their mouths full.

Emergency line operators must always    calm and make sure that they get all the information  they need to send help.

Gamorreans have a great affection    these  creatures, finding them cute and cuddly.

The computer system    suddenly while he was searching for information on the Internet.

I am much    with the matter which    all of  us.

An awful accident    , however, occur the other day.

The graduate’s mind    when he learned that he could not get the graduation diploma because of his poor performance.

A fence at the back of the garden    us from the neighbours, but we still often help each other.

Although he was in great need of money, he    our help.

Inspiration
“Mama, when I grow up, I’m going to be one of those!”I said this after seeing the Capital Dancing Company perform when I was three. It was the first time that my      took on a vivid form and acted as something important to start my training. As I grew older and was       to more, my interests in the world of dance     varied but that little girl’s dream of someday becoming a    in the company never left me. In the summer of 2005 when I was 18,I received the phone call which made that dream a         :I became a member of the company        back to 1925.
As I look back on that day now, it surely ____ any sense of reality. I believe I stayed in a state of pleasant disbelief ____ I was halfway through rehearsals (排练) on my first day. I never actually ____ to get the job. After being offered the position, I was completely ____. I remember shaking with excitement.
Though I was absolutely thrilled with the change, it did not come without its fair share of ____. Through the strict rehearsal period of dancing six days a week, I found it vital to ____ up the material fast with every last bit of concentration. It is that extreme ____ to detail (细节) and stress on practice that set us ____. To then follow those high-energy rehearsals ____ a busy show schedule of up to five performances a day, I discovered a new ____ of the words “hard work.” What I thought were my physical __  _ were pushed much further than I thought ____. I learned to make each performance better than the last.
Today, when I look at the unbelievable company that I have the great ____ of being a part of, not only as a member, but as a dance captain, I see a ____ that has inspired not only generations of little girls but a splendid company that continues to develop and grow-and inspires people every day to follow their dreams.

A．hobby B．plan C．dream D．word

A．connected B．expanded C．exposed D．extended

A．rarely B．certainly C．probably D．consistently

A．director B．trainer C．leader D．dancer

A．symbol B．memory C．truth D．reality

A．bouncing B．dating C．turning D．tracking

A．lacks B．adds C．makes D．brings

A．while B．since C．until D．when

A．cared B．expected C．asked D．decided

A．motivated B．relaxed C．convinced D．astonished

A．challenges B．profits C．advantages D．adventures

A．put B．mix C．build D．pick

A．attention B．association C．attraction D．adaptation

A．apart B．aside C．off D．back

A．over B．by C．with D．beyond

A．function B．meaning C．expression D．usage

A．boundaries B．problems C．barriers D．efforts

A．necessary B．perfect C．proper D．possible

A．talent B．honor C．potential D．responsibility

A．victory B．trend C．tradition D．desire

Napoleon, as a character in Tolstoy’s War and Peace, is more than once described as having “fat little hands.”Nor does he “sit well or firmly on the horse.”He is said to be “undersized,” with “short legs” and a “round stomach”.The issue here is not the accuracy of Tolstoys description—it seems not that far off from historical accounts—but his choice of facts：other things that could be said of the man are not said. We are meant to understand the difference of a warring commander in the body of a fat little Frenchman. Tolstoys Napoleon could be any man wandering in the streets and putting a little of powdered tobacco up his nose-and that is the point.
It is a way the novelist uses to show the moral nature of a character. And it turns out that, as Tolstoy has it, Napoleon is a crazy man. In a scene in Book Three of War and Peace, the wars having reached the critical year of 1812, Napoleon receives a representative from the Tsar (沙皇), who has come with peace terms. Napoleon is very angry：doesn’t he have more army? He, not the Tsar, is the one to make the terms. He will destroy all of Europe if his army is stopped.“That is what you will have gained by engaging me in the war!” he shouts. And then, Tolstoy writes, Napoleon “walked silently several times up and down the room, his fat shoulders moving quickly.”
Still later, after reviewing his army amid cheering crowds, Napoleon invites the shaken Russian to dinner. “He raised his hand to the Russian’s...face,” Tolstoy writes, and “taking him by the ear pulled it gently...” To have one’s ear pulled by the Emperor was considered the greatest honor and mark of favor at the French court. “Well, well, why don’t you say anything?” said he, as if it was ridiculous in his presence to respect any one but himself, Napoleon.
Tolstoy did his research, but the composition is his own.
Tolstoy’s description of Napoleon in War and Peace is     .

Napoleon was angry when receiving the Russian representative because     .

What did Napoleon expect the Russian representative to do?

Tolstoy intended to present Napoleon as a man who is     .

What does the last sentence of the passage imply?

Most people have heard of Shakespeare and probably know something of the plays that he wrote. However，not everybody knows much about the life of this remarkable man，except perhaps that he was born in the market town of StratforduponAvon and that he married a woman called Anne Hathaway. We know nothing of his school life. We do not know，for example，how long it lasted，but we presume that he attended the local grammar school，where the principal subject taught was Latin.
Nothing certain is known for what he did between the time he left school and his departure for London. According to a local legend，he was beaten and even put in prison for stealing rabbits and deer from the estate of a neighboring landowner，Sir Tomas Lucy. It is said that because of this he was forced to run away from his native place. A different legend says that he was apprenticed to a Stratford butcher，but did not like the life and for this reason decided to leave Stratford.
Whatever caused him to leave the town of his birth，the world can be grateful that he did so. What is certain is that he set his foot on the road to fame when he arrived in London. It is said that at first he had no money or friends there，but that he earned a little by taking care of the horses of the gentlemen who attended the plays at the theatre. In time，as he became a familiar figure to the actors in the theatre, they stopped and spoke to him. They found his conversation so brilliant that finally he was invited to join their company.
In the early life of Shakespeare, he     .

Why was he forced to leave his native place according to this passage?

why can the world be grateful that he left his hometown?

The underlined phrase “In time” in Paragraph 3 means     .

The best title is     .

Most young architects—particularly those in big cities—can only dream about working in a building of their own. And making that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his partner, Brian Bell. Their building is a former automobile electrical-parts firm in Atlanta. From the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting（生锈的） walls.
In 2000, Yocum and Bell found this building in the city’s West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his offhours on demolition（拆除）,pulling rubbish out through the roof, because it was too dangerous to go inside the building. The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there—the walls, the rust, the light,” Yocum said. “Every season, more paint falls off the walls and more rust develops. It’s like an art installation（装置） in there—a slow-motion show.”
Since the back building had been constructed without windows, an allglass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back of the building is a working area and a living room for Yocum and his wife. A sort of buffer (缓冲) zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond.
Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from the decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architects a chance to show how they can make more out of less.
According to the passage, it is     for most young architects in big cities to work in a building of their own.

Yocum bought the old building because     .

Working on the old building, Yocum and Bell     .

It can be inferred from the passage that Yocum and Bell     .

The main idea of the passage is that     .

Young adult filmmakers all hope to show their works in international festivals like Sundance and Toronto. But what about really young filmmakers who aren’t in film school yet and aren’t, strictly speaking, even adults?
They are at the heart of Wingspan Arts Kids Film Festival, tomorrow, in a setting any director might envy: Lincoln Center. Complete with “red carpet” interviews and various awards, the festival has much in common with events for more experienced moviemakers, except for the age of the participants: about 8 to 18.
“Whats really exciting is that its film for kids by kids,” said Cori Gardner, managing director of Wingspan Arts, a nonprofit organization offering youth arts programs in the New York area. This year the festival will include films not only from Wingspan but also from other city organizations and one from a middle school in Arlington, Virginia. “We want to make this a national event,” Ms. Gardner added.
The nine shorts to be shown range from a Claymation biography of B. B. King to a science fiction adventure set in the year 3005.“A lot of the material is really mature,” Ms. Gardner said, talking about films by the New York City branch of Global Action Project, a media arts and leadershiptraining group.“The Choice is about the history of a family and Master AntiSmoker is about the dangers of secondhand smoke.”Dream of the Invisibles describes young immigrants’（移民）feelings of both belonging and not belonging in their adopted country.
The festival will end with an open reception at which other films will be shown. These include a music video and a fulllength film whose title is Pressures.
Wingspan Arts Kids Film Festival     .

Which of the following is true of Wingspan Arts?

The underlined word “shorts” in Paragraph 4 refers to       .

Movies to be shown in the festival     .

At the end of this film festival, there will be     .